Who Sings Constant Sorrow in Oh Brother Where Art Thou
| O Brother, Where Art Grand? | |
|---|---|
 Theatrical release poster | |
| Directed by | Joel Coen |
| Written by |
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| Based on | The Odyssey by Homer |
| Produced by | Ethan Coen |
| Starring |
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| Cinematography | Roger Deakins |
| Edited by |
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| Music by | T Bone Burnett |
| Product |
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| Distributed by |
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| Release dates |
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| Running time | 107 minutes |
| Countries |
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| Linguistic communication | English |
| Budget | $26 million[ix] |
| Box function | $72 million[7] |
O Blood brother, Where Art Thou? is a 2000 crime comedy drama musical pic written, produced, co-edited and directed by Joel and Ethan Coen and starring George Clooney, John Turturro, and Tim Blake Nelson, with Chris Thomas King, John Goodman, Holly Hunter, and Charles Durning in supporting roles.
The film is set in 1937 rural Mississippi during the Swell Depression. Its story is a modern satire loosely based on Homer's ballsy Greek verse form the Odyssey that incorporates social features of the American Southward.[x] The title of the moving picture is a reference to the Preston Sturges 1941 picture Sullivan'south Travels, in which the protagonist is a director who wants to film O Brother, Where Art M?, a fictitious volume near the Great Depression.[11]
Much of the music used in the pic is period folk music.[12] The movie was 1 of the first to extensively use digital color correction to give the film an autumnal, sepia-tinted look.[13] Released by Buena Vista Pictures (through Touchstone Pictures) in North America, France, Federal republic of germany, Italian republic, and Kingdom of spain and by Universal Pictures in other countries, the flick was met with a positive disquisitional reception, and the soundtrack won a Grammy Award for Album of the Twelvemonth in 2002, making it the merely move picture show soundtrack to accept ever received the honor.[14] The state and folk musicians who were dubbed into the motion picture include John Hartford, Alison Krauss, Dan Tyminski, Emmylou Harris, Gillian Welch, Ralph Stanley, Chris Sharp, Patty Loveless, and others. They joined to perform the music from the film in the Down from the Mountain concert tour, which was filmed for consumer consumption via TV and DVD.[12] [15]
Plot [edit]
3 convicts, Pete and Delmar led by Ulysses Everett McGill, escape from a chain gang and prepare out to remember a treasure Everett said was cached before the expanse is flooded to make a lake. The 3 get a lift from a bullheaded man driving a handcar on a railway. He tells them they will notice a fortune, but not the one they seek. The trio brand their way to the firm of Wash, Pete's cousin. They sleep in the barn, simply Wash reports them to Sheriff Cooley, who, along with his men, torches the barn. Wash's son helps them escape.
They selection up Tommy Johnson, a young black human being, who claims he sold his soul to the devil in exchange for the ability to play guitar. In need of money, the four finish at a radio station where they record a song as the Soggy Bottom Boys. That night, the trio role ways with Tommy subsequently their car is discovered by the police force. Unbeknownst to them, their recording becomes a major striking. They briefly autumn in with Babe Face Nelson and accompany him on a robbery.
Most a river, the grouping hears singing. They see three women washing apparel and singing. The women drug them with corn whiskey and they lose consciousness. Upon waking, Delmar finds Pete's clothes lying next to him, empty except for a toad. Delmar is convinced the women were sirens and transformed Pete into the toad. Later, one-eyed Bible salesman Large Dan invites them for a picnic luncheon, then mugs them, takes all their money, and kills the toad.
On their way to Everett'south dwelling town, Everett and Delmar meet Pete working on a chain gang. Upon arriving Everett confronts his wife Penny, who changed her last name and told their daughters he was expressionless. He gets into a fight with Vernon, whom she is to marry the next day. Later on that night, they sneak into Pete's holding cell and gratuitous him. Every bit it turns out, the women had dragged Pete abroad and turned him in to the authorities. Under torture, Pete gave away the treasure's location to the police force. Everett then confesses that there is no treasure. He made information technology upwardly to convince Pete and Delmar, who were chained to him, to escape with him in order to stop his wife from getting married. He reveals that he got arrested for practicing law without a license. Pete is enraged at Everett, because he had two weeks left on his original sentence, and must serve fifty more years for the escape.
The trio stumble upon a rally of the Ku Klux Klan, who are planning to hang Tommy. The trio disguise themselves as Klansmen and attempt to rescue Tommy. Still, Big Dan, a Klan fellow member, reveals their identities. Anarchy ensues, and the Grand Sorcerer reveals himself as Homer Stokes, a candidate in the upcoming gubernatorial ballot. The trio rush Tommy away and cutting the supports of a large burning cantankerous, leaving it to autumn on Large Dan.
Everett convinces Pete, Delmar and Tommy to assist him win his wife dorsum. They sneak into a Stokes campaign gala dinner she is attending, bearded as musicians. The grouping begins a performance of their radio hit. The crowd recognizes the vocal and goes wild. Homer recognizes them as the group who humiliated his mob. When he demands the grouping be arrested and reveals his white supremacist views, the crowd runs him out of boondocks on a rail. Pappy O'Daniel, the incumbent candidate, seizes the opportunity, endorses the Soggy Bottom Boys and grants them full pardons. Penny agrees to ally Everett with the condition that he observe her original band.
The next morning time, the grouping sets out to call up the ring, which is inside a cabin in the valley which Everett had earlier claimed was the location of his treasure. The police, having learned of the identify from Pete, arrest the grouping. Dismissing their claims of having received pardons, Sheriff Cooley orders them hanged. Just as Everett prays to God, the valley is flooded and they are saved. Tommy finds the ring in a desk-bound that floats by, and they return to town. However, when Everett presents the ring to Penny, it turns out it was her aunt'south band. She declares that she volition not marry him with that ring, but just her wedding ring which she cannot remember where she put.
Cast [edit]
- George Clooney as Ulysses Everett McGill. He corresponds to Odysseus (Ulysses) in the Odyssey.[16] His singing vox is dubbed by Dan Tyminski.
- John Turturro as Pete. (His last name is never stated in the pic) Along with Delmar, Pete represents Odysseus' soldiers who wander with him from Troy to Ithaca, seeking to return home. His singing is dubbed by Harley Allen.
- Tim Blake Nelson every bit Delmar O'Donnell. Nelson does his own singing on "In the Jailhouse Now", but is otherwise dubbed by Pat Enright.
- Chris Thomas Rex as Tommy Johnson, a skilled blues musician. He shares his proper noun and story with Tommy Johnson, a blues musician who is said to accept sold his soul to the devil at the Crossroads (also attributed to Robert Johnson).[17] [18]
- John Goodman as Daniel "Big Dan" Teague, a one-eyed mugger and Ku Klux Klan member who masquerades equally a Bible salesman. He corresponds to the cyclops Polyphemus in the Odyssey.[16]
- Holly Hunter as Penny Wharvey-McGill, Everett's ex-married woman. She corresponds to Penelope in the Odyssey.[16]
- Charles Durning every bit Menelaus "Pappy" O'Daniel, the governor of Mississippi. The character is based on Texas governor Westward. Lee "Pappy" O'Daniel.[19] He shares a proper noun with Menelaus, an Odyssey graphic symbol, but corresponds with Zeus from the narrative.[16]
- Daniel von Bargen every bit Sheriff Cooley, a ruthless rural sheriff who pursues the trio for the elapsing of the film. He corresponds to Poseidon in the Odyssey.[16] He has been compared to Boss Godfrey in Absurd Manus Luke.[twenty]
- Wayne Duvall as Homer Stokes, a candidate for governor and the leader of a Ku Klux Klan mob. His singing is dubbed by Ralph Stanley.
- Ray McKinnon as Vernon T. Waldrip. He corresponds to the Suitors of Penelope in the Odyssey.[16]
- Frank Collison as Washington Bartholomew "Wash" Hogwallop, Pete's cousin.
- Michael Badalucco every bit Baby Face Nelson.
- Stephen Root every bit Mr. Lund, a bullheaded radio station director. He corresponds to Homer.[16]
- Lee Weaver as the Blind Seer, who accurately predicts the consequence of the trio's adventure. He corresponds to Tiresias in the Odyssey.[xvi]
- Mia Tate, Musetta Vander, and Christy Taylor equally the three "sirens". Their singing voices are dubbed past Emmylou Harris, Alison Krauss, and Gillian Welch.
Gillian Welch and Dan Tyminski besides appear as a tape store customer and a mandolinist, respectively. Del Pentacost, JR Horne, and Brian Reddy appear every bit members of Pappy O'Daniel's staff. Ed Gale appears every bit Homer Stokes' ceremonial "fiddling homo." Three members of the Fairfield 4 (Isaac Freeman, Wilson Waters Jr, and Robert Hamlett) cameo every bit gravediggers. The Cox Family and The Whites announced every bit fictionalized versions of themselves.
Production [edit]
The idea of O Blood brother, Where Art Thou? arose spontaneously. Work on the script began in December 1997, long before the commencement of production, and was at to the lowest degree half-written by May 1998. Despite the fact that Ethan Coen described the Odyssey as "one of my favorite storyline schemes", neither of the brothers had read the epic, and they were only familiar with its content through adaptations and numerous references to the Odyssey in popular culture.[21] According to the brothers, Tim Blake Nelson (who has a degree in classics from Brown University)[22] [23] was the just person on the set who had read the Odyssey.[24]
The title of the film is a reference to the 1941 Preston Sturges movie Sullivan'south Travels, in which the protagonist (a manager) wants to direct a pic well-nigh the Great Low called O Brother, Where Art Thou? [11] that volition be a "commentary on mod weather, stark realism, and the problems that confront the average man". Lacking whatever experience in this surface area, the director sets out on a journey to experience the human suffering of the boilerplate man but is sabotaged past his anxious studio. The pic has some similarity in tone to Sturges's picture, including scenes with prison gangs and a blackness church choir. The prisoners at the picture prove scene is too a direct homage to a nearly identical scene in Sturges'southward moving-picture show.[25]
Joel Coen revealed in a 2000 interview that he traveled to Phoenix to offer the pb role to Clooney. Clooney agreed to practise the office immediately, without reading the script. He stated that he liked even the Coens' least successful films.[26] Clooney did non immediately sympathise his grapheme and sent the script to his uncle Jack, who lived in Kentucky, asking him to read the unabridged script into a tape recorder.[27] Unknown to Clooney, in his recording, Jack, a devout Baptist, omitted all instances of the words "damn" and "hell" from the Coens' script, which just became known to Clooney after the directors pointed this out to him during shooting.[27]
This was the fourth film of the brothers in which John Turturro has starred. Other actors in O Brother, Where Art Thou? who had worked previously with the Coens include John Goodman (iii films), Holly Hunter (two), Charles Durning (two) and Michael Badalucco (ane).
The Coens used digital colour correction to give the picture show a sepia-tinted wait.[13] Joel stated this was considering the actual gear up was "greener than Republic of ireland".[27] Cinematographer Roger Deakins stated, "Ethan and Joel favored a dry, dusty Delta expect with aureate sunsets. They wanted it to await like an erstwhile hand-tinted picture, with the intensity of colors dictated by the scene and natural skin tones that were all shades of the rainbow."[28] Initially the crew tried to perform the color correction using a physical process, even so subsequently several tries with various chemical processes proved unsatisfactory, it became necessary to perform the process digitally.[27]
This was the 5th motion picture collaboration between the Coen Brothers and Deakins, and it was slated to be shot in Mississippi at a fourth dimension of year when the leafage, grass, trees, and bushes would be a lush green.[28] It was filmed near locations in County, Mississippi, and Florence, South Carolina, in the summer of 1999.[29] After shooting tests, including film bipack and bleach bypass techniques, Deakins suggested digital mastering exist used.[28] Deakins spent 11 weeks fine-tuning the look, mainly targeting the greens, making them a burnt yellow and desaturating the overall image in the digital files.[xiii] This made it the first feature film to be entirely color corrected by digital ways, narrowly beating Nick Park'south Craven Run.[13]
O Brother, Where Art Thou? was the get-go time a digital intermediate was used on the entirety of a first-run Hollywood film that otherwise had very few visual furnishings. The work was done in Los Angeles by Cinesite using a Spirit DataCine for scanning at 2K resolution, a Pandora MegaDef to arrange the colour, and a Kodak Lightning II recorder to put out to motion-picture show.[30]
A major theme of the motion-picture show is the connection betwixt old-fourth dimension music and political campaigning in the Southern U.Southward. It makes reference to the traditions, institutions, and campaign practices of bossism and political reform that defined Southern politics in the commencement one-half of the 20th century.
The Ku Klux Klan, at the time a political strength of white populism, is depicted burning crosses and engaging in ceremonial dance. The character Menelaus "Pappy" O'Daniel, the governor of Mississippi and host of the radio show The Flour Hour, is similar in name and demeanor to W. Lee "Pappy" O'Daniel,[31] erstwhile Governor of Texas and later U.S. Senator from that state.[32] O'Daniel was in the flour business organisation, and used a backing band chosen the Low-cal Crust Doughboys on his radio prove.[33] In ane campaign, O'Daniel carried a broom, an oft-used campaign device in the reform era, promising to sweep away patronage and abuse.[34] His theme song had the hook, "Please laissez passer the biscuits, Pappy", emphasizing his connection with flour.[33]
While the film borrows from historical politics, differences are obvious between the characters in the film and historical political figures. The O'Daniel of the picture show used "Y'all Are My Sunshine" every bit his theme vocal (which was originally recorded by singer and Governor of Louisiana James Houston "Jimmie" Davis[35]), and Homer Stokes, as the challenger to the incumbent O'Daniel, portrays himself as the "reform candidate", using a broom as a prop.
Music [edit]
Music was originally conceived as a major component of the picture, not just as a background or a support. Producer and musician T Bone Burnett worked with the Coens while the script was still in its working phases and the soundtrack was recorded before filming commenced.[36]
Much of the music used in the film is menses-specific folk music.[12] The musical pick also includes religious music, including Primitive Baptist and traditional African American gospel, most notably the Fairfield 4, an a cappella quartet with a career extending dorsum to 1921 who appear in the soundtrack and equally gravediggers towards the film's end. Selected songs in the moving picture reflect the possible spectrum of musical styles typical of the old civilization of the American Due south: gospel, delta dejection, land, swing and bluegrass.[24] [37]
The use of dirges and other macabre songs is a theme that often recurs in Appalachian music[38] ("O Decease", "Lonesome Valley", "Affections Band", "I Am Weary") in dissimilarity to bright, cheerful songs ("Keep On the Sunny Side", "In the Highways") in other parts of the picture show.
The voices of the Soggy Bottom Boys were provided by Dan Tyminski (lead vocal on "Human of Constant Sorrow"), Nashville songwriter Harley Allen, and the Nashville Bluegrass Band's Pat Enright.[39] The 3 won a CMA Award for Single of the Year[39] and a Grammy Award for All-time State Collaboration with Vocals, both for the song "Human of Abiding Sorrow".[14] Tim Blake Nelson sang the pb vocal on "In the Jailhouse Now".[11]
"Man of Constant Sorrow" has five variations: 2 are used in the moving picture, one in the music video, and two in the soundtrack album. 2 of the variations feature the verses being sung back-to-back, and the other three variations feature additional music between each poesy.[40] Though the song received little significant radio airplay, information technology reached #35 on the U.South. Billboard Hot Country Singles & Tracks nautical chart in 2002.[36] [41] The version of "I'll Fly Away" heard in the film is performed not by Krauss and Welch (every bit information technology is on the CD and concert tour), but by the Kossoy Sisters with Erik Darling accompanying on long-neck five-cord banjo, recorded in 1956 for the anthology Bowling Green on Tradition Records.[42]
Release [edit]
The motion picture premiered at the AFI Film Festival on October 19, 2000, and the United States on December 22, 2000.[2] It grossed $71,868,327 worldwide off its $26 1000000 upkeep.[seven] [9]
Critical reception [edit]
Review assemblage website Rotten Tomatoes gives it a score of 78% based on 154 reviews and an average score of seven.12/10. The consensus reads: "Though non as expert as Coen brothers' classics such equally Blood Unproblematic, the delightfully loopy O Brother, Where Art Thou? is still a lot of fun."[43] The picture show holds an average score of 69/100 on Metacritic based on thirty reviews.[44]
Roger Ebert gave ii and a half out of four stars to the movie, maxim all the scenes in the film were "wonderful in their different ways, and all the same I left the movie uncertain and unsatisfied".[45]
Accolades [edit]
The flick was selected into the chief competition of the 2000 Cannes Moving-picture show Festival.[viii]
| Honor | Appointment of ceremony | Category | Recipient(s) | Outcome | Ref |
|---|---|---|---|---|---|
| Academy Awards | March 25, 2001 | Best Adjusted Screenplay | Ethan Coen Joel Coen | Nominated | [46] |
| Best Cinematography | Roger Deakins | Nominated | |||
| BAFTA Awards | February 25, 2001 | Best Screenplay – Original | Ethan Coen Joel Coen | Nominated | |
| Best Cinematography | Roger Deakins | Nominated | |||
| All-time Production Blueprint | Dennis Gassner | Nominated | |||
| American Cinema Editors | 2001 | Best Edited Feature Motion picture – Comedy or Musical | Ethan Coen Tricia Cooke | Nominated | |
| American One-act Awards | 2001 | Funniest Role player in a Motion Moving-picture show (Leading Role) | George Clooney | Nominated | |
| American Society of Cinematographers | 2001 | Outstanding Achievement in Cinematography in Theatrical Releases | Roger Deakins | Nominated | |
| Awards Circuit Community Awards | 2000 | Best Adjusted Screenplay | Ethan Coen Joel Coen | Nominated | |
| Best Cast Ensemble | George Clooney John Turturro Tim Blake Nelson Charles Durning Michael Badalucco John Goodman Holly Hunter | Nominated | |||
| Best Fine art Direction | Dennis Gassner | Nominated | |||
| Best Cinematography | Roger Deakins | Nominated | |||
| All-time Costume Design | Mary Zophres | Nominated | |||
| BMI Flick & Idiot box Awards | 2002 | Special Citation | T Bone Burnett | Won | |
| British Social club of Cinematographers | 2001 | Best Cinematography | Roger Deakins | Won | |
| Cannes Motion picture Festival | 2000 | Palme d'Or | Joel Coen | Nominated | |
| Chicago Film Critics Association Awards | 2001 | Best Cinematography | Roger Deakins | Nominated | |
| Best Original Score | Carter Burwell T Os Burnett | Nominated | |||
| Dallas-Fort Worth Pic Critics Clan Awards | 2001 | Best Picture show | O Brother Where Art Thou? | Nominated | |
| Best Director | Joel Coen | Nominated | |||
| Empire Awards | 2001 | All-time Actor | George Clooney | Nominated | |
| European Motion-picture show Awards | 2000 | Screen International Accolade (USA) | Joel Coen | Nominated | |
| Faro Island Moving picture Festival | 2000 | All-time Pic | Ethan Coen Joel Coen | Nominated | |
| Florida Film Critics Circle Awards | 2001 | Best Soundtrack and Score | Carter Burwell T Os Burnett | Won | |
| Aureate Globes | January 21, 2001 | Best Motion Picture – Comedy or Musical | O Brother Where Art Thou? | Nominated | [47] |
| Best Functioning by an Actor in a Movement Picture – Comedy or Musical | George Clooney | Won | |||
| Grammy Awards | February 27, 2002 | Album of the Year | Alison Krauss Union Station Tim Blake Nelson Chris Thomas King Emmylou Harris Gillian Welch Harley Allen John Hartford Norman Blake Pat Enright Hannah Peasall Leah Peasall Sarah Peasall Ralph Stanley Sam Bush-league Stuart Duncan The Cox Family unit The Fairfield Iv The Whites T Bone Burnett Peter G. Kurland Mike Piersante Gavin Lurssen Jerry Douglas Barry Bales Ron Block Dan Tyminski Cheryl White Sharon White | Won | [48] |
| All-time Compilation Soundtrack Anthology for a Motion Motion-picture show, Television or Other Visual Media | T Bone Burnett Mike Piersante Peter F. Kurland | Won | |||
| Las Vegas Pic Critics Society Awards | 2000 | All-time Cinematography | Roger Deakins | Won | |
| Best Screenplay, Original | Ethan Coen Joel Coen | Nominated | |||
| All-time Costume Design | Mary Zophres | Nominated | |||
| London Critics Circumvolve Moving picture Awards | 2001 | Picture of the Twelvemonth | O Brother Where Fine art Thou? | Nominated | |
| Screenwriter of the Year | Ethan Coen Joel Coen | Nominated | |||
| MTV Motion-picture show + TV Awards | June ii, 2001 | All-time On-Screen Team (The Soggy Lesser Boys) | George Clooney Tim Blake Nelson John Turturro | Nominated | |
| Best Music Moment | "Human being Of Constant Sorrow" | Nominated | |||
| Online Film Critics Society Awards | January 2, 2001 | Best Original Score | T Os Burnett Carter Burwell | Nominated | |
| All-time Cinematography | Roger Deakins | Nominated | |||
| Phoenix Film Critics Gild Awards | 2001 | Best Original Score | T Bone Burnett Carter Burwell | Nominated | |
| Satellite Awards | Jan 14, 2001 | Best Picture show, Comedy or Musical | O Brother Where Art Thou? | Nominated | |
| All-time Screenplay, Adapted | Ethan Coen Joel Coen | Nominated | |||
| All-time Actor in a Motion Picture, One-act or Musical | George Clooney | Nominated | |||
| Best Actor in a Supporting Office, Comedy or Musical | Tim Blake Nelson | Nominated | |||
| All-time Extra in a Supporting Role, One-act or Musical | Holly Hunter | Nominated | |||
| Scientific discipline Fiction Fantasy Writers of America | 2002 | Best Script | Ethan Coen Joel Coen | Nominated | |
| Turkish Picture Critics Association Awards | 2001 | Best Foreign Motion-picture show | O Brother Where Art Thou? | Nominated |
Soggy Bottom Boys [edit]
The Soggy Bottom Boys are the fictional musical group that the main characters form to serve as accompaniment for the film. It has been suggested that the name is in homage to the Foggy Mount Boys, a bluegrass band led by Lester Flatt and Earl Scruggs.[49] In the flick, the songs credited to the band are lip-synched by the actors, except that Tim Blake Nelson does sing his own vocals on "In the Jailhouse Now".
The band's hitting unmarried is Dick Burnett'due south "Man of Constant Sorrow", a song that had enjoyed much success prior to the pic's release.[50] Afterward the film'south release, the fictitious band became so popular that the country and folk musicians who were dubbed into the film got together and performed the music from the film in a Downwardly from the Mountain concert bout, which was filmed for Television set and DVD.[12] This included Ralph Stanley, John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Sharp, Stun Seymour, Dan Tyminski and others.
Notes [edit]
- ^ Co-distributed with Universal Pictures in Germany and Italy[4] and Warner Sogefilms in Espana.[4]
- ^ Co-distributed with Universal Pictures.[4]
- ^ Co-distributed with Buena Vista Pictures Distribution.[seven]
References [edit]
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- ^ Ebert, Roger (December 29, 2000). ""O Brother, Where Art K?" Review". The Chicago Lord's day Times . Retrieved Feb fourteen, 2012 – via Rogerebert.com.
- ^ "Browser Unsupported - University Awards Search | Academy of Motion Picture Arts & Sciences". awardsdatabase.oscars.org . Retrieved July 10, 2021.
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- ^ Temple Kirby, Jack (November 5, 2009). Mockingbird Song: Ecological Landscapes of the Southward. UNC Printing. p. 314. ISBN978-0807876602.
- ^ "Human being of Constant Sorrow (trad./The Stanley Brothers/Bob Dylan)". Man of Abiding Sorrow . Retrieved November two, 2007.
External links [edit]
- O Blood brother, Where Art Thou? at IMDb
- O Brother, Where Art M? at AllMovie
- O Blood brother, Where Fine art Chiliad? at Box Office Mojo
- O Brother, Where Art Chiliad? at Rotten Tomatoes
- "Coenesque: The Films of the Coen Brothers". Archived from the original on November 19, 2003.
- "American Myth Today: O Brother, Where Art Yard?". Archived from the original on June 5, 2011. Retrieved October 20, 2009. American Studies at the Academy of Virginia
Source: https://en.wikipedia.org/wiki/O_Brother,_Where_Art_Thou%3F
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